A questing soul, an eccentric sage, an unconventional baron and a dedicated colourist: the artist Baron Arild Rosenkrantz (1870–1964) defies and evades many categorisations.
He was like his art: colourful, enigmatic and full of stories. All things mystical fascinated him right from childhood. He wanted to know more than science could explain; about the unknown and the invisible, the spiritual and the divine. That quest continued throughout his life and radiates out of his art.
Rosenkrantz wanted to be an artist and make it in the European metropolises. He succeeded in doing both. In Paris he exhibited his work at the seminal exhibition series Le Salon de la Rose + Croix at the age of 22, and in Britain he won great acclaim for his spectacular stained-glass designs. Being exposed to international influences had a palpable imprint on his brushwork: refined human figures share canvases with ferociously energetic abstractions of light and colour.
Rosenkrantz's greatest source of inspiration was the Austrian thinker Rudolf Steiner, particularly Steiner's interpretation of the colour theories proposed by German poet and scholar Johann Wolfgang von Goethe. In Rosenkrantz's imagery, colours wind in and out of each other like dynamic, intangible explosions. The results are simultaneously harmonious and chaotic, radiant and bizarre.
Rosenkrantz's enthusiasm for spiritual thinking branded him as an outsider in his own time. Today, interest in him and his art is growing. Spiritualism has become mainstream, and mindfulness and meditation are flourishing practices in present-day society. On the art scene, subjects such as faith, spirit and occultism form the starting point of a wave of new artistic departures today. Viewed in that light, Rosenkrantz's spiritual universe is more relevant than ever.
The College is delighted that Baron Rosenkrantz's work is featured in its summer exhibition, Strange Things Among Us.
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